Ben Eine Objets D’Art

05.12.14

Fragile Ventures are proud to present the global launch of URBAN[E] by Ben Eine at Megumi Ogita Gallery, Toyko.

Objet d’art [ob-zhay-dahr] n.,pl. Objets d’art. Literally “art object”, or work of art, in French, the term has long been reserved to describe works of art, usually small and three-dimensional, of high quality and finish in areas of the decorative arts.

Cubes rendered in concrete, metal and wood, depict Eine’s letter ‘E’ in Shutter, Tenderloin and Circus fonts.

URBAN[E]

05.12.14

Today is the global launch of URBAN[E], Fragile Ventures first exhibition featuring internationally renown UK street artist Ben Eine in Tokyo, Japan.

Creative Director, Martin Root is in Tokyo art directing the exhibition space, which opened earlier this morning. The exhibition features three-dimensional Cubes rendered in concrete, metal and wood, depict Eine’s letter ‘E’ in Shutter, Tenderloin and Circus fonts

Root designed the brand as well as curating and designing the exhibition space for Fragile Ventures. The show is open to the public tomorrow, make sure you go down and have a look.

Megumi Ogita Gallery
2-16-12 B1 Ginza Chuo-ku Tokyo 104-0061 Japan
Friday 5th December – Private View
6th/7th December – Public

For a write up of Ben Eine and URBAN[E] head over to The Independent.

For more up to date information visit URBAN[E] on: 
www.fragileventures.com
www.fragileventures.jp
www.instagram.com/fragileventures
www.facebook.com/fragileventures
www.twitter.com/fragileventures

Fragile Ventures Branding

05.12.14

Today we saw the launch of Fragile Ventures.

‘Fragile Ventures is an independent company established to give artists a platform to develop their work into three-dimensional forms and communicate it to the world.’

Root worked closely with Fragile Ventures and created the brand, starting with name generation, the identity, website, art direction, packaging as well as working on their first show URBAN[E].

The brand focuses on luxury three-dimensional lifestyle products for the home. Influenced by this, the design and logotype uses bold, dynamic and structural lettering, and explored and implemented striking print techniques illustrating the Fragile Ventures sophisticated style and positioning. Proving that sometimes, more is also more.

For more up to date information visit Fragile Ventures on: 

www.fragileventures.com
www.fragileventures.jp
www.instagram.com/fragileventures
www.facebook.com/fragileventures
www.twitter.com/fragileventures

Our Studio Featured In New RUDE Book

27.10.14

We are happy to be featured in RUDE's new book celebrating the last decade and half of Time Fly's When Your Being Rude, which documents work throughout his illustration career. 

Back in 2010 we commissioned RUDE to create a ‘This is Now Mural’ in our reception, the illustration was "Made from tape, paint and marker pens, the mural looked great” and was perfect for the entrance to our studio.

For a write up of the book head over to Design Week and you can get your hands on some of Rude's colourful homeware products over at Urban Outfitters.

James Patterson - Cross My Heart

16.10.14



You can catch our new project for Guinness World Record holder and international bestselling author James Patterson and his latest instalment to the Alex Cross thriller series, on TV this week. The Alex Cross series has been hailed as the most popular detective series in the last 25 years and we were asked by Penguin Random House to create a thirty second TV spot to promote and raise awareness for the new paperback ‘Cross My Heart’. 

We worked on the project from concept creation through to direction and production, and you can look out for the commercial this week on Channel 5 Network, 5 USA, Alibi and Channel 4.

Dear Daughter Campaign

22.08.14

We have created and produced an online film & flyposter campaign for the Hardback launch of Vintage publishing author Elizabeth Little's new thriller novel 'Dear Daughter’. 

Using a mix of film and photography by Heiko Prigge and animation, we highlight the downfall of the protagonist through the eyes of the paparazzi to create a memorable campaign spot.

Watch the full 130 sec spot here

Svengali - Back In Cinemas

05.08.14

We are happy to announce Svengali is now back in Cinemas across the country due to popular demand! Exclusive Q&A Sessions with the legendary Alan McGee & Paul Dixon (the original Dixie).

Check out the Svengali Facebook page for more information and keep up to date with news and everything Svengali related on Twitter.

Birmingham: The Electric Cinema 5/8/14 @ 18:15pm
Brighton: Dukes At Komedia 12/8/14 @ 21:00pm
London: Hackney Picturehouse 7/8/14 @ 18:30pm
Oxford: Ultimate Picture Palace 15/8/14 @ 18:30pm
Southampton: Harbour Lights 11/8/14 @ 18:30pm
Liverpool: Picturehouse at FACT 20/8/14 @ 18:30pm
Leeds: Hyde Park Picture House 21/8/14 @ TBC 

Root developed and produced the identity, art direction, advertising campaign and intro sequence for Svengali - all of which can be seen over on our site

Svengali was produced by Root Films.

Martin Root - Interview With Svengali's Producer

17.04.14


It’s 11am on a crisp spring morning and I am making my way through London’s East End to the creative studio of Root to meet Creative Director and
Svengali film Producer Martin Root.

On my way I can’t help but think how surreal this is. I first stumbled across Svengali at last year’s Latitude Festival. A mere punter seeking shelter from the rain and ending up in the film tent. But like many at that screening, I fell for the film’s charm and off-beat humour almost instantaneously. I couldn’t get the story out of my mind. Hooked.

Who would have thought that nine months later I’d be making my way to meet Root Films Producer Martin Root to discuss his vision for the project and the film’s creative process.

The studio is minimalist, high octane white walls serving as a blank canvas for the creative team that busily work at Root’s design hub. Music plays in the background as I am warmly greeted by his people. It’s pretty damn cool if I’ll be honest.

‘It’s all about collaboration’, says Root, as we grab a coffee. ‘John Hardwick (Svengali’s director) was brilliant, and we had a great crew - fantastic in fact - they really put their heart and soul into the film’.

Svengali tells the story of Dixie, a Welsh postman come music manager, who uproots his life, convincing his girlfriend to move with him to London, to get his prodigy band ‘The Prems’ a record deal.

‘I like real-life films that have humour’, says Root, taking a gulp of coffee. He lights up as he references Rob Sitch’s The Castle and Clayton Jacobson’s Kenny. ‘Svengali (referring to the initial YouTube series) had a pace that just kept you entertained. It got my attention’.

Looking around at his impeccable studio, I’m intrigued to know what made Root want to produce films. But the answer is simple. ‘It (Svengali) was an exciting project! Eddie Piller from Acid Jazz sent me the YouTube virals. And soon after, introduced me to Jonny (Owen)’, Writer of Svengali and lead character ‘Dixie’.

‘Jonny had a real warmth of character. Something people could relate to. And I knew straight off, Svengali would work as a film. I raised the finance from a private investor and we went from there’.

Root’s early vision was the spark that ignited Svengali’s transition from online virals to the big screen. From the off-set, his mission was clear: ‘We wanted to make a credible, commercial, contemporary movie that everyone could enjoy’.

The film’s undeniably cool soundtrack has gained notable recognition, and Root accredits the film’s music supervisor Ian Neil for bringing to the table, what is now being rated by fans, the greatest rock and roll soundtrack ever.

It’s easy for audiences to think of Svengali as a music genre film, especially with such a buzz surrounding the film’s music selection, but Root is resolute: ‘It’s a love story - Dixie’s love of music, his love for Shell and how he juggles his life’.

The universal themes of following your dreams, holding on to love and striving for success seem at the forefront of the film’s commercial appeal.

And what about London? ‘Of course, that played a part. There are so many special places I know that feature in the film’.

As we chat, it becomes clear that Root is very much a producer that leads with creative instinct and passion. But underpinning this, you get the picture that this is the man not only responsible for launching Svengali as a film, but creating a brand that challenges the way commercial films are marketed to mass audiences.

This meticulous attention to detail reveals an acute understanding of the power of creative identity. And unlike so many commercial films, Svengali’s branding seeks to reach out to audiences and engage them. ‘We wanted to create a brand that translated across multi-platforms.

‘My great team at Root handled every element of the design and art direction for the campaign, creating the brand identity, the integrated print, advertising and digital campaign.' The creative even extended to the films memorable opening title sequence.

Root’s previous high-profile creative collaborations, in the world of art, fashion and music, gives him an edge as a film producer. He is selective about the projects he chooses to get behind. ‘You have to feel passionate about the project and then fully commit to it’.

His past unveils an eclectic mix of high calibre lifestyle clients including David Beckham, Hollywood’s Salon Benjamin and the SnubNose art book with New York’s iconic Brooklynite Gallery.

When asked about the difference between working in the UK and US, Root is candidly honest. ‘In the UK people will always come up with reasons things can’t be done. But in the US they look for energy - they look for a reason to do something’. He is definitely more aligned to the latter approach.

‘Producing is about having a vision, finding the right people, putting them in the right place and then letting them get on with it’. On Svengali, Root is self-assured: ‘I now know how to make a movie’.

There is something magnetic about this faithful attitude towards film-making. An emphasis on creative collaboration. On evolving ideas and nurturing talent. On serving the story and engaging the audience. I’ll admit, I’m feeling inspired.

Glancing at the clock, I realise I’m almost out of time. One last question. What’s next for Root? ‘I’m always interested in exciting projects’.  Emphasis on exciting. I have the sneaky suspicion that this is only the beginning of Root Films.

As I head back to the station, the whole interview feels unreal. I can’t help but reflect on my own journey with Svengali: from festival field to big city. I guess that’s the beauty of film, you never really know where it’s going to take you.

Interviewed by Yazmin Joy Vigus
Website: aliljoy.com.
Twitter : @aliljoy

Svengali - Intro Sequence

21.03.14

To celebrate todays release of Svengali we have uploaded the title sequence, a vibrant graphic equaliser made of cassettes set to the outstanding track 'The Responsible' by Miles Kane, makes for a memorable and energetic start to the film. 

Svengali - In Cinemas

21.03.14

SVENGALI IS OUT NOW! In cinemas and available on demand and download to own today.

For a full cinema listing and information on where you can view on demand check out the Svengali Facebook page here.  

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